September 30, 2016
When I first started photography, I had a pretty straightforward method for carrying cameras with me: I threw the strap over my shoulder and carried them. If I needed two, I threw one strap over each shoulder. If I needed to carry, say, a 300 f/2.8 around with me, I put it on a monopod and threw thatover a shoulder, or just threw the lens strap over my shoulder and carried everything that way. When I first started photography, I was also fifteen years old. That was a little over a decade ago, and nowadays my shoulders–and my back–are a little less rugged than they used to be. So for the past couple years, I’ve put some effort (and more money than I’d like to admit) into working out the best way to carry cameras around with me. In particular, in the last couple of months I’ve been working on coming up with the best way to carry a pair of cameras, a long lens, and some supplies with me on long-ish treks–so far up to about eight miles at a time. This is what I’ve come up with.
October 13, 2015
For about five years now, I’ve been using a set of old Nikon speedlights SB-25s and SB-26s modded to give me remote power control with my RadioPopper JrX triggers. It was a lovely little system for me, and I got accustomed to being able to adjust my power levels at will from a distance. Unfortunately, after five years of use things are starting to fall apart. The 3.5mm jack I hacked into one of my flashes came loose, and in a single day the plate on the bottom of my JrX transmitter fell off and I lost the foot of one of my flashes to a falling lightstand.
I finally had to admit that it was time to stop super-gluing things back together and update my flash system. First I went looking for a replacement to my fallen JrX transmitter, only to find that RadioPopper has discontinued the JrX line of radio triggers. I ended up getting my hands on three separate sets of triggers for some amount of time, so I’ll give a brief review of each in the hopes that it might save others some time and frustration of their own. If you just want to see the solution that ended up working for me, skip ahead to the last section.
December 15, 2010
For a shoot I’ll be doing soon, I need a big-ish light source a little more directional than my usual umbrella, so I decided to throw together a little posterboard softbox. I thought I’d have it together in a snap and move on to shooting my subject tonight, but it turned out to be a much, much more time-consuming endeavor than I’d intended. In the process I came up with some templates for the pieces and thought I’d share them, along with a little review and some instructions.